Double Framed: AP House as Memory Theater explores the spatial structure of memory within the AP House in Chandigarh, designed in 1969 by Aditya Prakash, one of the first-generation Indian modernists who shaped the city alongside Le Corbusier and Pierre Jeanneret. The house is not merely a container for the exhibition but a stage where its histories and memories reappear. The project emerged from a conversation about inhabiting a space dense with memory. Vikram grew up in the house, while Eashan inhabits it today. Between these moments lies not absence but accumulation - layers of domestic life, architectural inheritance, and theatrical experimentation. The exhibition asks how such accumulation might be made visible and how memory itself might be spatialized. The title is sampled from a text Vikram wrote in 2013 on the photography of Aditya Prakash and its intricate connection to his two primary cameras: the Rolleiflex TLR and the Argus C3 - the latter was likely the source of most of the photographs in the exhibit.